Nicholas Phan
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SAN FRANCISCO PERFORMANCES

SALON SERIES:

THE WOMEN

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 ABOUT

San Francisco Performances’ 2022 Salon Series: The Women, commemorated the 100th anniversary of the ratification of the 19th Amendment to the US Constitution, which granted women the right to vote.

Featuring exclusively the works of women composers, the series was comprised of 4 concerts, featuring music spanning over four and a half centuries, shedding light on the long history of musical pioneers who have been overlooked due to centuries of sexism. A wide range of composers were explored, from the first woman to have a book of her music published, Maddalena Casulana, to women composers of the Parisian Belle époque like Pauline Viardot, to 20th century composers such as Margaret Bonds and Florence Price, as well as some of the women composers of today, such as Stacy Garrop and Errollyn Wallen.

This series adapted CAIC’s 2020 Collaborative Works Festival programming, expanding it from 3 to 4 concerts.

PROGRAM I:

WOMEN OF THE BAROQue

The series’ first concert, Women of the Baroque, featured the works of the many overlooked women composers of the late Renaissance and Baroque period, including French composer Elisabeth Jacquet de la Guerre and Italian composer Maddalena Casaluna, who was the first woman in western music history to have an entire book of her musical compositions published.

ARTISTS

Maya Kherani, soprano | Nicholas Phan, tenor | Matthew Worth, baritone | Carla Moore, violin | Elisabeth Reed, viola da gamba | Katherine Heater, harpsichord

PROGRAM

MADDALENA CASULANA: Vagh’amorosi augelli

FRANCESCA CACCINI: O vive rose | Io mi distruggo | Chi desia di saper che cosa è Amore

ELISABETH JACQUET DE LA GUERRE: Nos veoux…Dormés, dormés from Le sommeil d’Ulisse

ANTONIA BEMBO: Passan veloci l’hore

BARBARA STROZZI: Un amante doglioso

JULIE PINEL: Rossignol vous chantez

ANTONIA BEMBO: Ha que l’absence

BARBARA STROZZI: Che si può fare, Op. 8, no. 6

BARBARA STROZZI: Amor dormiglione, Op. 2, no. 22

PROGRAM II:

LES PARISIENNES

The series’ second concert, Les Parisiennes, featured the works of the women composers trailblazing during the years of the Parisian Belle époque: songs which broke barriers, pushing past the domestic confines of Paris' salons to the city's grand, public concert halls.

ARTISTS

Esther Tonea, soprano | Gabrielle Beatag, mezzo-soprano | Nicholas Phan, tenor | Robert Mollicone, piano

PROGRAM

CÉCILE CHAMINADE: selected songs

NADIA BOULANGER: selected songs

JULIA PERRY: How Beautiful are the Feet of Them

GERMAINE TAILLEFERRE: Six chansons françaises

PAULINE VIARDOT: selected songs

LILI BOULANGER: selections from Clairières dans le ciel

PROGRAM III:

ENGLAND, CZECH, GERMANY

The series’ third concert featured the works of the women composers of England, Germany, and what is now the Czech Republic.

ARTISTS

Mikayla Sager, soprano | Nicholas Phan, tenor | Edward Nelson, baritone | Carrie-Ann Matheson, piano

PROGRAM

FANNY MENDELSSOHN-HENSEL: selected songs

CLARA SCHUMANN: selected songs

REBECCA CLARKE: The Cloths of Heaven, Up-Hill

ETHYL SMYTH: Three Songs

VITESZLAVA KAPRÁLOVÁ: Sbohem a šáteček

ALMA MAHLER: selected songs

PROGRAM IV:

MODERN WOMEN

The series’ closing concert, Modern Women, showcased the work of some of today’s women composers, as well as the songs of American women composers of the 20th century.

ARTISTS

Gabrielle Beatag, mezzo-soprano | Nicholas Phan, tenor | Efraín Solis, baritone | Shannon McGinnis, piano

PROGRAM

MARGARET BONDS: Young Love in Spring from Songs of the Seasons

STACY GARROP: My Dearest Ruth

ERROLLYN WALLEN: Roundel (West Coast Premiere)

FLORENCE PRICE: Songs to a Dark Virgin, Out of the South Blew a Wind

RUTH CRAWFORD SEEGER: Home Thoughts

IVA BITTOVÁ: Nezabudka (West Coast Premiere)

GABRIELA LENA FRANK: Cuatro Canciones Andinas

UNDINE SMITH MOORE: I Want to Die While You Love Me